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Even after being in this business for so long and really learning how to be a ticket broker, I still find myself in situations that are completely unexpected. Ticket brokering is a very learnable and masterable business, but you always have to keep your eyes open because there are so many variables to take into account.

Take the example of seating charts. I always make sure to include an image of the seating chart in every eBay listing I put up, so you can imagine how many seating charts I’ve had to hunt down, copy, and paste. Hundreds. But habit can be your worst enemy, because you’ll begin to miss things like this:

Comcast Center Seating Chart

This is the Comcast Center.

If you look closely, you’ll notice something strange about this venue. The section numbers look normal and ordered in the right way. It’s easy to miss at first glance, but take a look at those row numbers.

Row F is the very first row in Sections 1 and 3.
Row M is the first row in Section 2.
Row C is the first row in Section 7.

What the?

Always double check

Who knows why the people who designed the Comcast Center decided to designate these Rows the way they did. Maybe this is only the case for General Admission Pit shows? Whatever the case may be, you’ll need to be on top of all this if you’re planning to learn how to sell concert tickets online.

When it comes to the Comcast Center, pulling Section 3, Row F tickets are possibly the most profitable tickets you could probably buy. But if you hadn’t checked out the seating chart beforehand, you would not have known that.

Be specific

Many beginning ticket brokers think that each concert venue has just one seating chart, and this can cost them big time.

The truth is, each concert has a seating chart.

Bon Jovi likes to have a Pit, with Floor sections behind them.
Daughtry likes to have a catwalk, with Floor sections to its left and right.
John Mayer likes to have reserved seating right in front of the stage.

Each artist has their own style and each venue will try to accommodate that style as best they can. Never assume that because the show is taking place at the Wachovia Center that you can just look up “Wachovia Center” in Google Images and be all set.

Where to find show-specific seating charts

In my experience, there are three ways to find seating charts that are specific to a particular show.

Ticketmaster

Although these charts are the prettiest, be warned that they are not always accurate. They get it right most of the time, but you’ll have to check with at least one of the other 2 resources (which I’ll soon mention) to verify that Ticketmaster is accurate.

At the ticket buying window, Ticketmaster will show you something like this:

Ticketmaster Seating Charts

In many cases, Tickemaster will already have selected the artist that you’re looking to buy tickets for, but not always. If you don’t see the exact artist name on that list, you cannot be sure that Ticketmaster is giving you an accurate seating chart.

So, Plan B.

StubHub

These seating charts aren’t as pretty as Ticketmaster’s, but they’re pretty much always accurate. If StubHub’s seating chart disagrees with Ticketmaster’s, I would trust StubHub’s every time, especially if the artist name was not on Ticketmaster’s list.

I’m not quite sure why StubHub and Ticketmaster sometimes disagree on seating charts, but I assume it’s because StubHub offers an interactive seating chart and Ticketmaster does not. In other words, if StubHub’s seating chart is wrong, sellers will immediately start to complain because they will be unable to submit their listing, or worse, they will be forced to submit it inaccurately. So it’s in StubHub’s best interests to always provide accurate seating charts.

If Ticketmaster provides an inaccurate seating chart, I guess their response would be, “Well, you should have double checked with the venue.”

And speaking of which…

Double checking with the venue

This is the third and final way to confirm the accuracy of a seating chart. You’ll almost never have to resort to this, but it’s a good tiebreaker. But a word of caution:

Do not trust the stock concert seating images they give you on their website. If you want to be absolutely sure, you must call them up yourself. In all my experience as a ticket broker, I’ve only had to do this once, but it will save you a big headache later on. If the Sun National Bank Center representative tells you that on June 20, the Daughtry show will have a catwalk with Sections 1 and 2 to its left and right, that’s all the verification you need.

And yes, this is exactly what happened to me. The stock seating charts on their website showed Sections 1, 2, and 3 right in front of the stage. But since Daughtry used a catwalk, Section 3 had to get pushed to the back. If I hadn’t called them, there was no way for me to know. (As usual, StubHub had it right in this case.)

Conclusion

Seating charts can be tricky. Next time you pull a Row F, make sure you didn’t just pull tickets for the front row! Those would be a shame to toss back. And all you have to do is check.

P.S. Off topic: I have to thank Emineer New York SEO Services for the work they’ve done on this site. TheTicketsGuide now ranks #1 for major phrases in the ticket brokering industry. Awesome.

{ 12 comments }

If you search for the word “tickets” on eBay right this second, you’ll receive 504,851 results. That’s half a million listings, being sold by hundreds of online ticket brokers.

When I first started learning how to become a ticket broker, I knew my competition was fierce. I was a newbie and these sellers were weathered pros. At first, I didn’t know all the techniques they did and I certainly did not have all the connections they had.

But I was confident.

I was confident because I had a philosophy, a rule of thumb, a mantra to live by:

Stay laser-focused on providing value to your customers and the money will take care of itself.

What I’ve learned about online business

See, there are hundreds of people online trying to make money selling tickets, but a lot of them are just out there to make a quick buck. Many of them could care less about their customers as long as they get paid. And for some ticket brokers, this strategy works. For a while.

But if you’re determined to have long-lasting success in the ticket broker industry, the easiest thing to do is to get your mind away from the profits and instead focusing your energies on providing your customers the best value you possibly can.

Return buyers

One way to stand out from your competition is by trying to attract repeat customers.

The thing is, you can fool a customer once but you won’t be able to fool him again. That is, once a buyer sees that you’re not willing to answer any questions or provide any kind of service to him or her after payment is made, they’ll never do business with you again. However, if you go out of your way for your customers and provide value to them, guess who they’ll turn to next time they want tickets to the next big show? That’s another sale for you.

You might want to include a business card in your eBay envelopes, as this will encourage buyers to contact you for future events.

Being proactive

Many online ticket brokers are addicted to email. They love it. And yes, although email is a great way to keep contact with your current customers, it’s not the best way to persuade potential customers.

I’ll tell you a story to show you what I mean.

A few months ago, I had two pairs of tickets up for sale on eBay to a Michael Buble show. Interestingly, the two pairs were for the same show, same section, and even the same row: seats 8-9 and 12-13. I listed them as two separate listings, naturally.

Just a couple days after I listed them, a buyer saw my seats 8-9 listing and sent me a message through eBay:

eBay Question

I blurred it out for privacy reasons, but if you look closely you’ll see that he left his name and cellphone number at the end of his message.

Remembering that I also had Buble tickets in the very same row, just a few seats away, I jumped on the opportunity and called him immediately.

He explained to me that he was really interested in my tickets but he was going to the show with his wife and two kids, so he needed four consecutive tickets. Of course, this is exactly what I wanted him to say, so I explained to him that if he bought my other two tickets, all he had to do was kindly ask the two people next to him if they wanted to trade seats, and voila.

Here’s the fun part:

He agreed to buy the four tickets on the spot and paid me directly via Paypal. This was an added bonus because this avoided having to pay eBay’s 7% fee. All in all, I made $335.44 profit from those four tickets and all I had to do was pick up the phone.

Most ticket brokers would have looked in their inventory and replied with an email saying they only have tickets in pairs. And even if they would have suggested my idea, the fact that the conversation is via email creates a delay, and during that delay, the buyer will be looking for better deals on eBay. You have to avoid that delay and be proactive.

All of this happens because you’re focused on creating a positive experience for your buyer, not just filling your pockets.

Don’t let the numbers intimidate you

Sure, there are hundreds of ticket brokers out there right now making money selling tickets, but what customers really want is a good experience–not just during the show, but also before it. Ticket brokers get a bad reputation sometimes because disappointed fans tell horror stories of scalpers cheating them of their money and selling them counterfeit tickets and whatnot.

Reverse this trend. Show your customers you’re there for them, and they’ll come back. And oh yeah, that means more money in your wallet. ;)

{ 5 comments }

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